Campaigns
Every collection is shot around an idea rather than a season. This is where those ideas live.
Quiet Rooms
The Signature Collection, photographed with nothing to hide behind.
Shot against bare walls in natural light, with no props and no styling tricks. The brief was simple: if a signature piece needs a set to look good, it does not belong in the collection. What survived that test is what you see on the rail today.
After Nine
The Evening Collection, shot at the hour it was made for.
Evening fabrics behave differently under warm, mixed, low light — which is exactly where these gowns live and almost never where they are photographed. We shot the whole campaign after nine at night so that what you see is what the room will see.
Sixty Hours
The Heritage Collection, told through the making rather than the wearing.
Half of this campaign is not clothing at all — it is feather work, boning, pattern paper and hands. We wanted a record of where the price of a Heritage piece actually goes, because the finished photograph never shows it.
The Long Yes
Bridal, photographed over six months rather than one day.
We followed three commissions from the first consultation to the final press — the toile, the corrections, the fabric that was rejected twice. It is the least glamorous bridal campaign we could have made and the most accurate one.
Keep looking
See the pieces in person
Every campaign piece can be pulled for a private appointment. Tell us which collection you want to see.